Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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BRAY, Jan de
The de Bray Family (The Banquet of Antony and Cleopatra) dg

ID: 05357

BRAY, Jan de The de Bray Family (The Banquet of Antony and Cleopatra) dg
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BRAY, Jan de The de Bray Family (The Banquet of Antony and Cleopatra) dg


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BRAY, Jan de

Dutch Baroque Era Painter, ca.1627-1697 Painter, draughtsman and etcher, son of Salomon de Bray. He spent virtually the whole of his career in Haarlem, except for the period 1686-8, when he lived in Amsterdam. After training with his father, Jan began working as a portrait painter in Haarlem in 1650, an activity he continued for the next 40 years. Between 1667 and 1684 he served on the committee for the Haarlem Guild of St Luke, whose leading members he portrayed in a picture dated 1675 (Amsterdam, Rijksmus.) that includes a self-portrait (Jan is seen standing and drawing on the left). He married three times, in 1668, 1670 and 1672. His first two wives died a year after their marriage, his third two years afterwards, and in each case the death was followed by disputes over the inheritance. Jan's bankruptcy of 1689 may have been a result of one of the lawsuits.   Related Paintings of BRAY, Jan de :. | The Dam | Still-life with Vegetables s | Nativity | St Luke Drawing the Portrait of the Madonna | Artist s Daughter |
Related Artists:
Heronymus Bosch
Bois-le-Duc ca 1450-1516
Enguerrand Quarton
active in Provence 1444-1466
CAMPI, Vincenzo
Italian Painter, 1536-1591 Vicenzo Campi (c. 1536 - 1591) was an Italian painter of the Renaissance from Cremona. His style merges Lombard with Mannerist styles, however, unlike his siblings, he is known for a series of canvases, mostly painted after 1570s , displaying genre scenes and local produce. At the time, this type of paintings were uncommon in Italy, and more common in Netherlands, as exemplified by the canvases of Joachim Beuckelaer. In Cremona, his extended family was the main artistic studio of his time. Giulio Campi and Antonio Campi were reportedly half-brothers, while Bernardino Campi was a distant relative. All were active and prominent local painters. In 1586-1589, he and his brother Antonio completed paintings for the church of San Paolo Converso in Milan.






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